La La Land 2016- Damien Chazelle
La
La Land explores the theme of romance like a typical musical film whilst
exploring the struggles of a relationship due to aspiring dreams of the two
protagonists.
Setting
it apart from other romantic musicals. Chazelle creates two separate stories
and struggles for the protagonists. At the beginning of the film, they are
presented as two separate characters with their own struggles, seen as they are
the first characters introduced, this is a clear sign that they will be joined
together later on in the film. This film differs from typical romantic musicals
as it focuses more on the personal struggles of the characters rather than the
relationship between the two characters. Rather than progressing the
relationship, the aspirations of the characters are progressed.
The
relationship is presented through the lighting. The lighting presents the deep
connection that Mia and Seb have. During the moments they have together that
represents them. For example: When Seb plays their song. When this happens all
lighting around them dims, and one spotlight focuses on each protagonist. The
use of this singling out effectively highlights how infatuated the couple are.
It also emphasises the importance of the moments they share together are.
The
musical scenes are constantly panning, they are rarely cut. This is effective
in portraying the smoothness of the type of music and the dance. The use of a
pan creates an open aspect to show the amount of space that is covered when
dancing and singing. In some musical scenes, there are some elements of Singing
In The Rain. Some of the set is painted in a similar style to that of singing
in the rain. This is effective in highlighting the “golden age Hollywood”
aspect that Chazelle was aiming to achieve in La La Land. The painted scenes
are also reminiscent of the Jazz era that Seb misses so much . Despite being a
modern musical, Chazelle effectively brings back the “golden age Hollywood” to
La La Land.
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